[pianotech] pianotech Digest, Vol 12, Issue 54

David Skolnik davidskolnik at optonline.net
Mon Oct 5 16:19:58 MDT 2009


Will -
I know that the last thing you wanted was a 
response, but, sometimes, you have to let these 
things play out themselves.  Of course, it's 
unfortunate when emotions are unnecessarily 
provoked, and frustrating when people seem to be 
talking past one-another.  But, sometimes, I 
think it's worth taking the time to think about 
and gently and respectfully (when possible) 
challenge fuzzy or illogical thinking.  It's when 
someone can convincingly demonstrate that they 
have no inclination to thoughtfully consider what 
others are saying that the discourse should be 
put to bed, taken out, put down, terminated.

While I might agree with William Monroe's 
proposition that, assuming it takes little extra 
effort to achieve becket uniformity, why would 
one challenge one's (hopefully) basic impulse to 
accomplish such an aesthetic, I do take some 
issue with the accuracy of his analogy of the 
keyboard, the fundamental difference being both 
the degree of direct interaction with the player 
and visibility to the observer.  It is much more 
likely that irregularity in the key work would be 
noted than the beckets under the music desk.

Still, both David Love's and Jon Page's last 
posts on this are entirely relevant.

David Skolnik

At 05:28 PM 10/5/2009, you wrote:
>Gentlemen:
>
>With due respect to all parties engaged in this 
>beastly becket brouhaha, the phrase “flogging 
>a dead horse” seems to come to mind with each new post.  AHEM.Â
>
>Will Truitt
>
>From: pianotech-bounces at ptg.org 
>[mailto:pianotech-bounces at ptg.org] On Behalf Of William R. Monroe
>Sent: Monday, October 05, 2009 2:22 PM
>To: pianotech at ptg.org
>Subject: Re: [pianotech] pianotech Digest, Vol 12, Issue 54
>
>Israel, would you respond directly to the idea 
>that since it takes no more time, why not align 
>beckets?  I do see a pretty even parallel to 
>beckets lined up and notches in keys being 
>square and even. Both aesthetic. Would you not 
>be disappointed in a keytop job that wasn't 
>filed square?  Couldn't the argument be made 
>that I just don't care to fuss over that detail, 
>so don't  be condescending to me.   In fact, 
>that even adds time to the job, and Mary has a mortgage to pay..      ;-)
>
>William R. Monroe

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