Ron Nossaman wrote: > > It depends on where in the country it goes. In areas with high year > round humidity, they do fine. Here in Wichita Kansas, they tend to > deteriorate quickly without good humidity control. People try to shrug > off the "gray market" boojum as a marketing thing, but it's a very > real concern in areas that have seasons. My experience backs this up. I would hesitate to take one to a dry area although in coastal Louisiana they mostly seem to do very well. The big caveat is that a few of these that I have seen have had tuning pins so loose they were barely hanging on, and were no longer tunable within a couple of years. This is not normal for well kept 25 - 30 year old instruments, or shouldn't be, I have a 50 year old grand and a 100 year old upright in my house with original strings that are quite tunable and stable. I'm not sure what the general history of the gray market instruments is, sometimes I wonder if they weren't all school pianos, but I think the problem many times is with the folks that sell these pianos, they do not check the pianos out before passing them off on someone. If the dealer is conscientious and careful about quality control they should be OK if humidity is kept fairly high and constant. IMHO. I also don't understand Yamahas approach to these, I'd think they would be happy to have these out there, rebuilt or even just restrung and with factory action parts they could be very nice pianos. However, I can recommend Abel hammers and parts for Yamahas, the sound is different but very attractive. It also makes it difficult if you need specific parts for pianos bought over seas and brought here, especially disklaviers, I have a customer from Scotland and a couple of cruise ships that I have to argue for whenever I need something. Somebody mentioned earlier putting Yamaha hammers on a Steinway, how did you convince them to sell you an unbored set for that serial number :-) ? -- --Dave New Orleans
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