I suppose its a ball park figure that works reasonable well enough on
enough pianos that it gets shuffled around enough til it becomes
accepted as a norm. Still seems usable enough if one modifies it just a
tad to bring the shank into the same plane as the string. No doubt there
are times when this wont work either... but it seems like one gets just
a bit closer.
I haven't got this clear in my mind yet however, as I've just always
taken it on faith that the horizontal shank at impact with a hammer
perpendicular to the shank was more then good enough in nearly all
cases. Clearly any change in bore length needs to be looked at closely
with regards to what impact it will have on regulation. In this case I
increased bore length from the existing by about 3 mm. This worked out
both by the advice I got from my two buds down on the continent, and by
more empirical based checks on the action. Hints that were obvious...
turned up drop screws and let off buttons with nearly no room left
between the tops of the buttons and the underside of the rail.
Cheers
RicB
That sounds to me like a good description of fudging from start to
finish. Heaven knows where this superstition concerning the
horizontal shank at impact arose, but there is no scientific basis
for it any more than there is any science behind the downward rake
of the hammer on the old Steinway uprights. The angle of the shank
at impact, whether on a grand or an upright, is determined by the
geometry of the whole set-up, which was generally carefully worked
out to reduce the entrance height or (on an upright) the case depth
to a minimum. The majority of grands I have worked on are designed
to have the shank exceed the horizontal and the hammers bored
accordingly.
JD
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