Hi Allen Thanks for your comments. Aside from going on about the ethical implications raised, I would seriously question the tactical wisdom of the approach towards marketing many of these re-designed instruments that seems evident. Seems to me there is a lot of shooting oneself in the foot going around. I believe each manufacturer / builder / rebuilder.... producer if you will should put out their stuff and let it fly on its own merit and let it stand at that. From that standpoint I do indeed share David Poritts frustration as I understand it, upon meeting that unreasonable refusal to be open to other ways and means of accomplishing a finished instrument that many pianists present. But I do not see how anything constructive, least of these that very aforementioned cause, is served by dragging somebody elses name through the mud. Nor do I see that anything is to be gained by alternating the positions <<its just the same as the original>> and <<its much better then the original >>. I mean either you've changed it or you havent. What is some pianist, who is uninformed from a technical standpoint to begin with and ofte times biased in the second stance supposed to think when presented with these ? Predictably enough... skepticism to put it mildly. If instead one would simply insist upon the viability of ones own product by taking the high road all the way... I believe far more positive returns are in wait. Cheers Allen RicB Ric, I appreciate your more balanced and fair-minded position here vis-à- vis the Steinway Restoration Center and it's approach to doing business. I'm of the opinion that we should extend the same sort of collegiality and respect to those in the profession who may not happen to be in the room (on the listserve) as we extend to actual online participants. Some of the comments about Steinway have been pretty negative. Sincerely, Allen Wright, RPT
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