I should like to add to this that I find it utterly appalling that the world of pianists have seemingly chosen to close themselves off so purposefully to the vast variety of piano sounds available to make music by. And that includes the temperament theme as well. If I've said it once I've said it a billion times.... "I believe its a pianist job to sit down to any reasonably built and kept instrument, figure out what its voice is... what it can say... and start making music." This whole idea that one sound or one response is needed is both in error to begin with and IMHO to the overall detriment of music as a whole. People... human kind.. the collective WE seems to need their deities however, and there is not much I can do about that aside from standing where I do on the subject. Cheers RicB What can I say. I love pianos... and I love the diversity of high quality pianos. Regardless of who makes them or what their particular building philosophy is. These things stand on their own IMHO. They need no defense beyond our insistence upon that over those who are skeptics Cheers RicB
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