> If the board without the cutoff gives rise to some > more random pattern of resonances, might not that translate to a somewhat > more random or, expressed differently, more complex sounding tone in the > piano. Or a less organized more chaotically vibrating membrane, with more self-canceling movement. If techs want complex sound, why do they spend so much time and effort trying to fix false beats? The more likely effect of not having that cutoff is "voicing" problems when certain frequencies correspond and are enhanced, or oppose and are retarded by soundboard resonances. We don't put in the bass cutoff arbitrarily or randomly. It's for a couple of good reasons. This is one of them. The other is structural. Given the desire to build a rib supported board, the difference between a 1200mm long rib and an 850mm long rib that can support a given load at a given crown height is substantial. >While controlling random resonances on the surface of it seems like > a good thing, might it not have the effect of making the piano, to some > ears, sound somewhat too pure or somewhat more sterile. Now I'm not > suggesting that's the case, btw, I'm just wondering if I'm reading these > diagrams correctly and what this means in terms of the choices about to > cutoff or not to cutoff. > > David Love I see no choice at all if we want to build rib supported boards. We have to build a structure that will support the load, and we have to do it within some existing physical constraints - like clearance of the bracing beams. And it doesn't matter what is done or not done, or what sound is or isn't produced, "some" ears won't like it even if they are miraculously capable of listening to it honestly without hearing it through the name on the fallboard. Pleasing everyone isn't possible, and I wouldn't care to try. I also didn't see any mention of how this test soundboard was constructed. Did he say? If anyone has ever done modal analysis on rib crowned and supported boards, I sure haven't heard of it, and would love to see the results. Ron N
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