Evidence of overlacquered hammers

[Bernhard Stopper]

i wrote:
> unfortunately, i have no hammer nr. 88 with the same stiffness/damping
> factor as a nr. 1. but if you have one, i will try it out ;)

and not one with the same shape. (surface radius)

regards,
Bernhard

----- Original Message ----- 
From: "Bernhard Stopper" <b98tu@t-online.de>
To: "Pianotech" <pianotech@ptg.org>
Sent: Saturday, October 02, 2004 6:17 PM
Subject: Re: Evidence of overlacquered hammers


> unfortunately, i have no hammer nr. 88 with the same stiffness/damping
> factor as a nr. 1. but if you have one, i will try it out ;)
>
> regards,
>
> Bernhard
>
> ----- Original Message ----- 
> From: "David Love" <davidlovepianos@comcast.net>
> To: "'Pianotech'" <pianotech@ptg.org>
> Sent: Saturday, October 02, 2004 4:39 PM
> Subject: RE: Evidence of overlacquered hammers
>
>
> > OK, try putting hammer number 88 on note number 1 and see if you can
> > tell the difference.
> >
> > David Love
> > davidlovepianos@comcast.net
> >
> > -----Original Message-----
> > From: pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org] On
> > Behalf Of Bernhard Stopper
> > Sent: Saturday, October 02, 2004 8:22 AM
> > To: Pianotech
> > Subject: Re: Evidence of overlacquered hammers
> >
> > Ron wrote:
> > >
> > > And what David said, and what I said is that no choice of hammer that
> > you
> > > can make will get more out of the system than the soundboard has to
> > give.
> > >
> >
> > no, the point was that David said that it´s possible by taking a heavier
> > hammer to produce more energy.
> > and that´s not true when all other parameters remain unchanged.
> >
> > regards
> >
> > Bernhard
> >
> >
> > ----- Original Message ----- 
> > From: "Ron Nossaman" <rnossaman@cox.net>
> > To: "Pianotech" <pianotech@ptg.org>
> > Sent: Saturday, October 02, 2004 5:14 PM
> > Subject: Re: Evidence of overlacquered hammers
> >
> >
> > >
> > > >But for me no. The hammer and string is the first component pair that
> > has
> > to
> > > >match to achieve the kind of the spectrum to be produced.
> > > >The soundboard/string components is the second pair that must match
> > to
> > > >achieve the kind of the filtered spectrum to be produced.
> > >
> > > And what David said, and what I said is that no choice of hammer that
> > you
> > > can make will get more out of the system than the soundboard has to
> > give.
> > >
> > >
> > > >But there is no direct hammer/soundboard relation without taking
> > attention
> > > >of the first hammer/string relation.
> > >
> > > Add all the details you like. That doesn't make what we said any less
> > true.
> > >
> > > Ron N
> > >
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>
>
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