Evidence of overlacquered hammers

[Bernhard Stopper]

you may also put nr 1 to nr 88. is it louder?

Bernhard Stopper

----- Original Message ----- 
From: "David Love" <davidlovepianos@comcast.net>
To: "'Pianotech'" <pianotech@ptg.org>
Sent: Saturday, October 02, 2004 4:39 PM
Subject: RE: Evidence of overlacquered hammers


> OK, try putting hammer number 88 on note number 1 and see if you can
> tell the difference.
>
> David Love
> davidlovepianos@comcast.net
>
> -----Original Message-----
> From: pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org] On
> Behalf Of Bernhard Stopper
> Sent: Saturday, October 02, 2004 8:22 AM
> To: Pianotech
> Subject: Re: Evidence of overlacquered hammers
>
> Ron wrote:
> >
> > And what David said, and what I said is that no choice of hammer that
> you
> > can make will get more out of the system than the soundboard has to
> give.
> >
>
> no, the point was that David said that it´s possible by taking a heavier
> hammer to produce more energy.
> and that´s not true when all other parameters remain unchanged.
>
> regards
>
> Bernhard
>
>
> ----- Original Message ----- 
> From: "Ron Nossaman" <rnossaman@cox.net>
> To: "Pianotech" <pianotech@ptg.org>
> Sent: Saturday, October 02, 2004 5:14 PM
> Subject: Re: Evidence of overlacquered hammers
>
>
> >
> > >But for me no. The hammer and string is the first component pair that
> has
> to
> > >match to achieve the kind of the spectrum to be produced.
> > >The soundboard/string components is the second pair that must match
> to
> > >achieve the kind of the filtered spectrum to be produced.
> >
> > And what David said, and what I said is that no choice of hammer that
> you
> > can make will get more out of the system than the soundboard has to
> give.
> >
> >
> > >But there is no direct hammer/soundboard relation without taking
> attention
> > >of the first hammer/string relation.
> >
> > Add all the details you like. That doesn't make what we said any less
> true.
> >
> > Ron N
> >
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>
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