----- Original Message ----- From: "Brian Trout" <brian_trout@hotmail.com> To: <pianotech@ptg.org> Sent: February 27, 2003 5:31 AM Subject: RE: Moving Damper Guide Rails > > Terry F., Roger J. and I (to name a few) were in the same class at Brandon > University, I think it was where Andre Bolduc was installing a new > soundboard in a '20s era Steinway 'O', I believe. He mentioned that in the > upper section (I don't remember about the killer octave section) that the > notches were such that the string lengths were unequal. It was my opinion > that he was saying that the unequal length of the strings somehow added to > the body of tone in such a way as to give it a fuller sound. > > Yes, it was intentional, and from what I remember, he encouraged us to put > it back the way we found it. Yes, it was intentional. No, it wasn't the problem. No, it didn't solve the problem. The problem being short sustain with a percussive attack through the killer octave region. Yes, it altered the tone, not so much as to make it 'fuller,' but 'twangier.'. No, I don't know if Chickering ever did this but I wouldn't be surprised. He tried everything else including a bunch of stuff no one else ever though of. But then I didn't know Heintzmann did it either. Yes, if the problem--the soundboard (and, to some extent, the scaling)--is fixed the feature becomes even more objectionable. Del
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