>Not the universal template, but likely one of the wider rim bevels - just >want to have the cauls wide enough to accomodate the widest I could >reasonably expect to encounter. Which doesn't do much for the narrow rim in the treble, especially if you are using a tighter crown rib and a higher bevel angle. >What I was getting at here is that I think most rim bevels are a pretty >consistent angle - let's say 1.5 degrees. I can cut the bottom of the >cauls at 1.5 degrees. But if my board is 3 degrees from horizontal at the >edges, and the rim bevel is only 1/2" wide, my 1.5 degree cauls will go 1" >out over the 3 degree board, and hence smoosh the near-edge of the board >down. But read on, this concern has dissipated. Yep. I understood. >Ok, I'm convinced. I like it. Your method eliminates any concern regarding >bevel width (cut the ply the same width), the EXACT angle of bevel, and >angle of the near soundboard edge (caul won't touch it). Almost. Approximately match the width (a couple of mm either way isn't a big deal) and ignore the bevel completely. The plywood will flex and rotate enough to automatically accommodate pretty much anything. >I trust you use some type of 2x4 or whatever block between your plywood >soundboard caul and your clamp - or do you have some type of clamp that >reaches down into the piano - like Ron Overs - but knowing you (a little >bit) you found some great regular F clamps at a garage sale for 50 cents >apiece! No, I use 1x blocks. They're about 6" wide, and 5" tall, shaped like this. -------------------------------------- | | | | | | | | | _________________ | |____/ \____| With the plywood caul bridging between the "legs", I get clamp points every 4.5" with clamps spaced 9" apart.I only need to use half as many clamps per foot of rim perimeter this way as I would just using bevelled blocks. These, incidentally, aren't beveled anywhere. When I was shopping for replacement clamps for the cheapies I had bought long back, I wanted Besseys, and was prepared to spend the $25 (or whatever) apiece for them, but I couldn't find any in stock locally. That's a garage sale I really would have liked to find. I ordered some, but they never did come in. The place that "carried" them at the time was more interested in selling $1 sanding belts for $9.95 to putterers, so I suspect there wasn't enough markup involved and they never even ordered the clamps. I considered Record, which is a good clamp, but still preferred the Besseys. I finally found some nice F clamps in New Mexico Woodworking catalog, ordered a couple to test torture, and finally bought 24 of them at about $12 each. They aren't quite Besseys, but they are the best clamp for the money I've seen, and I've been very satisfied with their performance under the abuse I've subjected them to. I also bought a dozen small Besseys for the belly rail and miscellaneous shop stuff. I never considered Jorgenson because I wanted quick slide coarse adjustment both ways without having to fight the clutch. Good clamps, but they don't fit my style. I didn't make custom clamps because I wanted general purpose clamps I could use more and store less than dedicated. >All concerns resolved.........except maybe one. Let's say rim bevel 1.5 >degrees. Make block cauls with 1.5 degree bottom. Perfect. Next we have >piano with 1 degree bevel, but we have blocks with 1.5 degree cut angle. >Obviously we now have the block pressing firmly on the outside-most edge >of the soundboard, but not so much at the inside edge of the rim bevel. I >suppose this difference is about 0.000000000000001 inches. That's why I used 3/4" stock for the blocks. Placed against the inside of the rim, it's outer edge is about in the middle of the caul - just where I want it. >I further suppose that the board will unnoticably crush that tiny bit and >in fact you will get excellent even clamping pressure across the full >width of the rim bevel. That's the idea. If the system design takes care of the worrisome details for me, then I won't have to tie myself up with them and can get on to other things. >I even further suppose this is all much ado about nothing. Yes and no. To a point, it's important. I've installed a board or two in the past that I wasn't happy with, and I think the problem was primarily not having gotten the rim joint clamped down adequately. This isn't a concern for me any more. I hope some of this makes sense. Ron N
This PTG archive page provided courtesy of Moy Piano Service, LLC