At 1:13 PM +0100 11/25/02, Richard Brekne wrote: >Ahhh.... well I seem to have hit upon another point of hidden dispute. I had >no idea that this was under question at all. Still, it would seem that if the >sustain DOES increase for unisons just slightly out of tune, that perhaps >similiar mechanisms are at work when a duplex is employed. No real dispute here, I'm just speaking from my practical experience (having tried "smudging" a unison to hear its effects). There may exist a physical basis for what you're describing, Ric. Del would know more about it than I would. I seem to remember from the Weirich SciAm article ("The Coupled Motion of Strings" '79?), after the strings on a unison settled into the aftersound stage, that if their motion was out-of-phase, the bridge would pull them into phase. I somehow also remember that slight differences in tuning were also rased by the same coupling process. I really should dig out the article before opening my mouth. Bill Ballard RPT NH Chapter, P.T.G. "That's Del Blaine. She's having a filter installed between her brain and her mouth, next week. ...........Jennifer Love Hewitt introduced, in "The Tuxedo" +++++++++++++++++++++
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