Una Corda Blues

[Tvak@aol.com]

In a message dated 11/13/02 10:05:38 PM, roger.j@sasktel.net writes:

<< If you have to make a choice between left and right hand, go with the 
right 
since that is where most tunes are played.
 >>

i would agree to the extent that half of the bass register is one string 
anyway, and therefore regulating that register to the una corda would result 
in only an octave full of notes that made a difference.  That octave is often 
critical, though, in achieving the effect of PP.

In pianistic terms, the left hand often dictates the apparent dynamic level 
of the music.  To play PP (in a standard homophonic musical setting: RH 
melody, LH accompaniment) requires the left hand to play as quietly as 
possible, whereas the right hand is able to sing over the accompaniment, and 
thus be much louder.  A standard dynamic level of Mezzopiano in the RH and 
Pianissimo in the LH would result in a perceived PP in the music.  

Now, keep that melody at the same dynamic level and increase the left hand 
volume and you get a perceived dynamic level that is much louder than before. 
 

It is the left hand that dictates the dynamic level.  So having una corda in 
the right hand only would really make things more difficult for the pianist 
using the una corda pedal to achieve PP.  (in homophonic settings)

Tom Sivak

P.S.
That was homophonic, (as in one voice supported by chords) not homophobic.