Well, its nice to know that you are talking strictly about one model of Steinway instruments, and an upright at that. I got the feeling that the discussion carried on by others was a bit more inclusive then that. But seriously Terry. I have seen at least a hundred 1098's in my years over there, and never ran into the severe problems you talk about. Certainly not more then I see in other decently put together instruments. So all I can say is that my own experience with these instruments is quite different then yours. While I am not a particular fan of so called high end uprights to begin with, I certainly wouldnt hesitate in recommending the fine Steinway name to anyone. btw... where is it well documented that Steinway grands have "poor action geometry" ? RicB Farrell wrote: > Yes, I bought a new 1098 about five years ago. I don't think "went > bad" is correct. If it "went bad", it occurred before Steinway sold it > to me. IMHO, it was made bad (1/4" reverse crown with lots of > downbearing?). > ... you had some bad experience in > > dealing with their service department as well ?? (seem to remember > you > > saying something about this a while back.. am I wrong ?) IMHO, very > bad, rude ("you'll get used to that dinging noise"), unsatisfactory > (to put it mildly). Yes, this has been addressed in the past. > And > from this > > and from your experience base you feel justified in condemning what > the > > vast majority of pianists clearly recognize as the best sounding and > > > playing instrument available for purchase these past 120 years or > so. This aspect of this thread started out addressing vertical pianos > from the 1950s, 60s and 70s. I am only speaking of vertical pianos. > MHO is based in part on my 1098 that had serious defects and they were > unwilling to fix properly, but mostly MHO is based on the group of > maybe 20 or 30 Steinway verticals that I have run across over the past > few years while servicing pianos. Almost every one (and I can't recall > one that didn't) had some portion (some, multiple items) of a > combination of cracked bridges, lots of excessive string noise, poor > hammer alignment (and other action components), way out of regulation, > poor string terminations, poorly performing dampers - the type of > things that one sees while tuning and lead one to feel that the piano > is quite worn out for its age. Yamaha verticals that I see from this > era are mostly in very good condition, with few if any of the > aforementioned problems, or at least to a significantly less > degree. Again, I am strictly speaking to my own observations. Who > knows, maybe the brand Y are in such good condition because they are > miserable to play and sound bad so no one plays them, while brand X > sounds so nice and plays great so that everyone plays it day and > night. I don't know that to be the case though. Except for the few > specific and well documented problems some Steinway grand pianos > exhibit (verdigris, Teflon action centers, poor action geometry), I > have much respect for their grand pianos. > > I know people who CHOOSE not to buy a BMW..... not because they dont > > > think of it as a good car... but because its tempermental and needs > lots > > of looking after. Then I also know people who think BMW's are lousy > > > cars..... because they are tempermental....Well, I guess if you want > a piano that is often not quite working well, and that has > ".....faults in each one that can be discovered and cherished over the > years", then go for it! :-) Again, all this seems to be clear from > my observations based on a few tens of pianos. I'm not a statistician. > Perhaps that is not enough of a sampling. If not, ignore everything > I've said. You may choose that route anyway! ;-) Terry Farrell > > -- > > Richard Brekne > > RPT, N.P.T.F. > > Bergen, Norway > > mailto:rbrekne@broadpark.no > > http://home.broadpark.no/~rbrekne/ricmain.html > > > > -- Richard Brekne RPT, N.P.T.F. Bergen, Norway mailto:rbrekne@broadpark.no http://home.broadpark.no/~rbrekne/ricmain.html
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