jolly roger wrote: > Hi Ron, > Your observations give an excellent eplaination of why there is a > need to seat strings periodically on performance piano's. This movement of > the bridge and cap, is one of the things that attracted Conklin to the use > of vertical laminations. > > Roger Been following with interest... just wanted to ask a quickie here... How does this line up with Ron Overs recent comments about direction of grain in bridges and bridge pinning ? -- Richard Brekne RPT, N.P.T.F. Bergen, Norway mailto:Richard.Brekne@grieg.uib.no
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