Hi, A uniform size of natural fronts is desirable, including the spaces between them. If we take the width of a natural front including an adjacent space, the Halberstadt-style, chromatic modal topology has seven natural keys before the occurrence of the octave equivalent of the starting note. This span divides into two groups, bordered by pairs of adjacent naturals without raised keys between them (3 and 4 keys). To fit raised keys within these groups (2 and 3 respectively for a total of 12 keys), the width of the sharps must be considered as well so that if they are all the same with uniform natural tail widths in each section, the tail widths are not the same in both. Now, uniform sharp width and sectionally uniform tail width is only one of the possible devices. As mentioned, wider sharps may be employed to reduce the wide tails in the smaller section; as sometimes observed in antique keyboards, one very wide tail will allow uniform sharps and equalizes the remaining tails. Most frequently irregular tail/sharp spacing simply is masked by an illusion from shadows. It's all in the D-tails. ;) Clark "Name your octave and take it away" - Harry Partch on a maker of enharmonic harmoniums.
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