Kevin wrote: <<"I was under the impression that volume and loudness are not necessarily the same thing.">> Del wrote: <<"The question of volume vs. loudness brings up a whole other issue. Are we talking about absolute acoustic power as measured by Ron's new toy? Or power/loudness as perceived by our ears? If the latter, then we have to consider how our ears detect sound and we have to factor in the shape of the sound envelope and the harmonic structure of that sound envelope.">> and then Ed wrote: <<" Can we say that the brassy piano is louder and the softer piano more powerful?">> The terms we all tend to use more or less interchangably really all address different parts of the same sounds...don't they? Volume.....loudness......power....projection, these all have to do with the capacity of producing/transmitting sound. The qualities of sound Brassy...mellow....tinny...brash......thin......full....etc., can all be part of our vocabulary that intermixes with the first four but are not a fudemental requirement for any of them.........OK , buy that? In other words we can have a "Brassy" sound that is loud and projected but "brassy" is not needed for sound to be loud or projected since all the other qualities may also be projected. 'Volume' has to do with the 'loudness' of a sound but 'loudness' also deals with the "intensity"......said another way....... A piano may have lots of "volume" but not be "loud" in that despite any "volume" it may have, it has no ....intensity.... and "intensity" is a requirement for being 'loud'. So they are nearly the same but yet quite different. "Power" and "projection" are parts of the same also....... yet they are also totally different. A piano can be 'powerful' yet not 'project' worth a flip....in other words while an piano may be balanced enough to pull everything possible out of any given scale/soundboard/bridge/hammer configuration and fill the area around the pianist with very rich sound...this sound may end 10 feet from the piano. A piano can have marvelous 'projection' and have a thin nasaly tone or a rich full tone. Now in order for the "projection" to be most useful there has to be "power" available in the piano to have good tonal 'presence' 'projected'. How to corner these equal but desparate thingees? Well maybe we could say that "volume" comes from all factors...."loudness" comes from hammers/scale....power comes from a balanced soundboard/bridge/scale system.......and "projection" depends primarily on soundboard/bridge/rim design. As Del has said.... none of these four are dependent on any particular size as much as they are on good design and material selection.......... My view, but I've been wrong before. :-) Jim Bryant (FL)
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