I cant speak for any of the structural design issues.. all this is way over my head. But I can tell you that they sound different. IMHO. I always thought they sounded like a sort of eastern european... dont really know how else to put that, and my opinion is 110% subjective in nature. Still thats the first thing that came to my mind first time I heard one, and I have never run into any Boston that has made me change that I get the feeling they have a rounder sound.. a bit more full bodied in the bass then your typical Yamaha sound...tho Kawaiis bass is a bit closer. I always thought it was a bit curious that this particular sound resulted from an American design produced by Japanese technology. Now I will let those who know the specifics take over. Farrell wrote: > With regard to rim, soundboard and hammer design & construction and typical > resultant tonal/sound characteristics, how do Boston pianos compare with > other Japanese pianos (Yamamha & Kawai)? At this early stage of my career, I > am only just beginning to be able to differentiate some of these > characteristics. I would be very interested in reading any thoughts on this > subject in general. > > In part, ultimately what I am getting at is that I am contemplating > potential changes I might want to make to my own Boston GP178. > > Terry Farrell > Piano Tuning & Service > Tampa, Florida > mfarrel2@tampabay.rr.com -- Richard Brekne RPT, N.P.T.F. Bergen, Norway mailto:Richard.Brekne@grieg.uib.no
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