I haven't noticed anything out of the ordinary with Hamiltons. They seem to tune up about the same as most uprights. But then again, I don't really subscribe to the plate compression theory, I'm more of a "crush the crown" theory kinda guy. ----- Original Message ----- From: "Delwin D Fandrich" <pianobuilders@olynet.com> To: <pianotech@ptg.org> Sent: Thursday, December 21, 2000 8:32 AM Subject: Re: Overshoot -- Pitch Raising > > ----- Original Message ----- > From: "Ron Nossaman" <RNossaman@KSCABLE.com> > To: <pianotech@ptg.org> > Sent: December 19, 2000 12:22 PM > Subject: Re: Overshoot (was Re: Young Chang bridge pins) > > > > >Are you indicating heavy plates has something to do with that activity? > If > > >so, what visible signs might show a plate to be heavier than others? > > > > I think so. Since there is pretty conclusive evidence from Dr Sanderson > > (and others) that the majority of that pitch drop is from plate > > compression, and some supportive shade tree logic and soundboard > deflection > > math of my own that supports it too. Strut placement and such would > > probably make differences too and, as Don said, full perimeter plate, but > > in general, thicker iron bends less under a given load. Nothing here > that's > > convertible to numbers exactly, just a general fudge factor to consider. > -------------------------------------------------------------- > > Ron, > > Interesting comments. Now, I haven't tuned any pianos in, probably, 15 > years and memory fades -- mercifully -- over time but I've a question here. > And even when I was tuning most everything was a grand of some sort. > > Now, I've also heard the theories about plate compression during pitch > raises and have wondered... What is your experience pitch raising pianos > such as the Baldwin Hamilton? These have to be the lightest plates in the > business. Still, I don't hear many horror stories about either tuning them > or pitch raising them. What say you? > > Del >
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