In a message dated 11/12/98 9:55:34 AM Central Standard Time, pianotoo@imap2.asu.edu writes: << What happened to you with the SAT is one reason I always tune the Bass downward after tuning the treble. It is less likely that you will be tuning by the 5th or 7th partials if you have a treble reference. It is more common to tune by the 7th partial when starting in the Bass because that is the first clear partial which you come to in pulling the pitch up to where it registers on the SAT. Especially is it difficult to hear the pitch of the A0 on a small piano. Jim Coleman, Sr. >> I always knew there might be a good reason not to tune a piano from A0. I know that many people do but to me, it just doesn't seem right. I guess I also have a good enough sense of pitch (but I would never call it *perfect*) that I could not make this mistake. That doesn't mean there might not be another reason why I might accidentally tune a wound string a whole step high by mistake. I have heard manufacturer's reps caution not to tune a wound string more than 20¢ sharp yet I know that in the factory, many have been tuned much sharper than that with no ill effects afterwards. This is especially true of the lowest double wound strings of a small piano. So, breath a sigh of relief, Russell, you may have merely accelerated their break in time a little. Franz Mohr used to recommend tuning a plain wire a whole step sharp when doing a replacement before a concert. Do that replacement before proceeding with anything else and lower it the very last thing. The tendency for the new string to go flat will be counteracted by its wanting to go sharp after having been so high. I have done this many times and I must say, it works. The natural question follows: "What about a wound string?" Franz replied that tuning it a whole step sharp "might damage it". He recommended a 1/2 step for a wound string. I have always followed that advice and it has always worked well. The new string, either plain or wound treated this way will still go flat later on but pulling it this extra amount high in an emergency replacement will save the unison and the concert (and possibly your reputation). In a normal stringing circumstance however, I would recommend 25¢ and 50¢ for the high treble. Why? Just for moderation's sake. We must be moderate in all things, including moderation itself. I think the error made may have been a little like driving your car 100 miles per hour. You know it is not safe. Your tires are probably only rated as safe up to 80 mph. But, there was an overriding circumstance and you did it and nothing happened. So, you just go on being careful not to let that mistake happen again. If any of the strings do turn out to "buzz" you can still give them a twist to cure the problem although I doubt that you will have one. Sincerest regards, Bill Bremmer RPT Madison, Wisconsin
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