PAULREVENKOJONES at aol.com wrote: > That I can discern as well, and have. It is quite easy to see subtle > string shifts by shadow and reflection and by differentiation during a > procedure. What I was referring to as undemonstrated is the relationship > between the changed curvature of the string and the tonal "improvement". > Perhaps one of Ed Sutton's "high-end cause/effect" perceptions? :-) I've demonstrated it to my satisfaction stringing. After tightening the bend around bridge pins the attack is more focused. You get less "splatter" on impact. I haven't found it having anything to do with false beats, however. Ron N
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