Jim, Have you had any discussion or requests for a higher pitch for performers from Europe or South America? When the Society came to Madison we tuned one piano in the concert hall and one rehearsal piano at the higher pitch of 443 . They were ready when requested. Albeit our #1 piano was not changed, but #2 was changed. My experience was that a good piano is very important for the accompanying as well as a good harpsichord. You are working with a very sensitive group of musicians. They know pitch and good sound. A compliment from this group should be laminated and hung on your wall. Jim, you have a rare opportunity for work with some of the World's finest. Joel Joel Jones, RPT Madison, WI On Jul 18, 2008, at 9:17 PM, Jim Busby wrote: > > Thanks Kent, > > You know, since it’s accompaniment for the “International Double Reed > Society” Conference I reckon they’ll be cued in on themselves and not > ET on a harpsichord. There will be 4 harpsichords in use (in different > halls) so I bet ET will do on one of them. Although, like Fred and > Dave said, I’ll need to tune them daily anyway, and it isn’t that > difficult. > > Jim > > > -------------- next part -------------- A non-text attachment was scrubbed... Name: not available Type: text/enriched Size: 1922 bytes Desc: not available Url : https://www.moypiano.com/ptg/caut.php/attachments/20080719/1275246d/attachment.bin
This PTG archive page provided courtesy of Moy Piano Service, LLC