---------------------- multipart/alternative attachment After this one gig I hope it never leaves here again. dave *********** REPLY SEPARATOR *********** On 4/11/01 at 10:52 AM Joe & Penny Goss wrote: Hi Dave, If this situation is going to be a regular occurance why not consider= purchase of another set of hammers and shanks? Replace and regulate to each when necessary. Joe Goss imatunr@srvinet.com www.mothergoosetools.com ----- Original Message ----- From: David M. Porritt To: caut@ptg.org Sent: Wednesday, April 11, 2001 10:20 AM Subject: "Temporary" voicing We got our new Yamaha CFIIIS 3 weeks ago, and it is very nice. Nice round= tone perfect for our 500 seat recital hall. Now, next week it will be moved to the Meyerson Symphony Hall to be used in= a concerto. Our artist-in-residence likes the sound as it is now for our= hall, but in competing with the orchestra next week, wants some extra= "zip" to the top octave or so. Can anyone thing of an appropriate way to voice this up, then successfully= bring it back down after the concerto performance? Unless I hear some= better idea, I'll probably keytop the last octave or so, then steam it= down when it gets back. I really hate doing this to a brand new piano,= but.... On the other hand, I guess this is why Yamaha sells replacement= hammers! dave David M. Porritt dporritt@swbell.net Meadows School of the Arts Southern Methodist University Dallas, TX 75275 David M. Porritt dporritt@swbell.net Meadows School of the Arts Southern Methodist University Dallas, TX 75275 ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/caut.php/attachments/bd/d6/83/46/attachment.htm ---------------------- multipart/alternative attachment--
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