"Temporary" voicing

David M. Porritt dporritt@post.cis.smu.edu
Wed Apr 11 11:39 MDT 2001


I'm going to try the hot iron before any doping.  I hope it gives me enough.

dave

*********** REPLY SEPARATOR  ***********

On 4/11/01 at 12:53 PM Jon Page wrote:

>How about a hammer iron, that will pick up the tone in the treble
>without the addition of solvent with plastic stiffeners.
>
>Jon Page
>
>At 11:20 AM 04/11/2001 -0500, you wrote:
>>We got our new Yamaha CFIIIS 3 weeks ago, and it is very nice.  Nice round 
>>tone perfect for our 500 seat recital hall.
>>
>>Now, next week it will be moved to the Meyerson Symphony Hall to be used 
>>in a concerto.  Our artist-in-residence likes the sound as it is now for 
>>our hall, but in competing with the orchestra next week, wants some extra 
>>"zip" to the top octave or so.
>>
>>Can anyone thing of an appropriate way to voice this up, then successfully 
>>bring it back down after the concerto performance?  Unless I hear some 
>>better idea, I'll probably keytop the last octave or so, then steam it 
>>down when it gets back.  I really hate doing this to a brand new piano, 
>>but....  On the other hand, I guess this is why Yamaha sells replacement 
>>hammers!
>>
>>dave




David M. Porritt
dporritt@swbell.net
Meadows School of the Arts
Southern Methodist University
Dallas, TX 75275



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