John, There is a table similar to what you're talking about. It's on page 22 of the June, 1995 Piano Technicians Journal. NOt in graph form, but a simple table showing date, RH%, and FAC numbers. Steve On Sun, 27 Feb 2000, John Ross wrote: > Hi, > I tune some pianos, about 10-15 times per year. I have found that the FAC > #'s change. > I think it has to do with humidity. I keep on meaning to make a graph, of > temperature, humidity > and the pitch of a few notes. > I keep on forgetting. > Has anyone done something like that? > Oh, yes, I am using a SAT. > Regards, > John M. Ross > ----- Original Message ----- > From: <BobDavis88@aol.com> > To: <caut@ptg.org> > Sent: Sunday, February 27, 2000 8:35 PM > Subject: Re: Ed Foote on the Box (was NY Times Article) > > > > In a message dated 02/24/2000, Ed Foote writes: > > > > > We can't refine an aural tuning over and over again, we must start > > from > > > new every time, but, if we record our best aural tuning, we can > > continually > > > modify it until is exactly like we want. > > > > Almost true, but the target keeps changing. The rabbit jumps halfway to > his > > hole once more with each refinement, but having achieved a "perfect" > tuning > > [where I brought my previous tuning in the box and refined it until I > > couldn't change anything] on a piano I tune every couple of weeks, I was > > puzzled at my dissatisfaction with the results six months later. I > wondered > > at first if I could perhaps be growing as a tuner, but surely not, having > > reached perfection.... > > > > It turns out that I really DON'T tune the same piano the same way each > time. > > The explanation lies in the fact that the FREQUENCIES of the partials > change > > due to humidity and plain aging (the inharmonicity doesn't measure the > same > > every time), and the BALANCE of the partials (and even the frequency) > changes > > with voicing. Different voicing requires a different stretch. > > > > Since I agree completely with your basic feelings toward the Box, Ed, I > hate > > to niggle; but we refine the box tuning with the ear, and the ear with the > > box, a superb tuning results, then the piano we are measuring changes. At > the > > highest level, there are still some refinements necessary at every tuning. > > > > > There may be tuners that can do a better job without a machine > than > > > with one, but I don't see how. > > > > Or why. I would still stack that stored, refined tuning up against most > > strictly aural tunings, my own included, on a time-after-time > repeatability > > basis. > > > > Bob Davis > > > > _________________________________________________ Steve Brady, RPT Head Piano Technician, University of Washington Editor, Piano Technicians Journal
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