It would, in my opinion, be unwise to simply drop everything down a wire size. The A1 scale is uneven enough that this would significantly weaken an already marginal treble. That's not to say the piano can't be rescaled to a lower overall tension, however. This situation illustrates both the value and the dangers of rescaling. The value of doing it logically and with knowledge of what, exactly, you are doing to the overall performance of the piano and the danger of wading in there without the proper information and knowledge and simply making changes for the sake of making changes. I regularly drop overall tensions on pianos with predictable and desirable results. But the process involves knowing--measuring and analyzing--the original scaling and then making changes that are planned and appropriate. In the case of the Steinway A1 the treble is already relatively weak so you wouldn't want to decrease the tensions there any further. There are other areas that have relatively higher tensions that can be safely--and usually profitably--brought down. Also the bass can be improved quite a bit by smoothing it out, decreasing the wire diameters considerably is areas and dropping the tensions in some areas. But you need to do this rescaling with understanding and thoughtfulness. If you do not wish to do the actual rescaling work you might consider working with a technician already experienced in the process. Your client's desires are not all that unusual--a good share of the pianos I rebuild these days end up with string tensions that are somewhat lower than the originals. The results you client wants are not impossible to achieve. But for the best results I'd strongly recommend that you actually measure the speaking lengths and work up an appropriate scale based on those measurements. Don't worry about turning the A1 into a square; they are apples and pomegranates. The A1 is capable of a smooth and balanced timbre that even the best square could only dream about. You're right about the hammers. They will need to be relatively light to avoid overpowering the scale. You'll also want something without a lot of density. ddf Delwin D Fandrich Piano Design & Fabrication 6939 Foothill Court SW, Olympia, Washington 98512 USA Phone 360.515.0119 Cell 360.388.6525 del at fandrichpiano.com ddfandrich at gmail.com -----Original Message----- From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf Of William Ballard Sent: Wednesday, August 17, 2011 6:37 AM To: pianotech at ptg.org Subject: [pianotech] Restringing at Lower Tension Greetings from a long-time wayfarer. One of my customers (with nine pianos, most of whom have work by me) has a 1892 Stwy AI which he would like now to restring with a new block (plus new action). He has a notion (deserving to be tested) that if the stringing scale is stepped down a wire size (read: rescale entirely, at lower tension), that this will send the sound of the piano further in the direction of the "19th Century". ie., The onset of the sound will be slightly delayed (IOW, gentler bloom). I've explained to him that the place to adjust bloom is with the proper choice and voicing of hammers. He realizes that lower string mass means lower volume, and although I don't know what size room the piano will end up in, I'm sure this is part of his thinking. A few more details to get the collective wisdom off and bubbling: 1.) The original board is fine (no weak regions, downbearing is there along with front bearing at the bridge). This will be the foundation for this 19th Century sound. But the rescaling will be stringing alone; the tenor bridge and all speaking lengths will not be changed. 2.) I'm turning the action into a high Strike/Balance Ratio action with light hammers on 15.75 knuckle-mounting distance shanks. There are plenty of choices for light hammers. This will preserve the 19th Century feel. His instincts about pianos are usually right on. (It's me who's getting used to the idea of turning a Stwy A into a square grand.) Bill Ballard RPT NH Chapter, P.T.G. wbps at vermontel.net "I'll play it and tell you what it is later...." ...........Miles Davis +++++++++++++++++++++
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