I said I would give a report on the Hammer-Lac that I got from Pianotek once I had a chance to use it a few times so here it is. It's a bit weaker (lower solids content) than other lacquers I've used so it requires a somewhat stronger application. I've used it only on Ronsen hammers, Bacon and Weickert Felt. I don't use Steinway hammers so I can't help you there but I would probably follow the Bacon protocol and get them unlacquered from Steinway. In this case all applications were applied from the shoulders rather than from the side. Lazy I guess. I made three solutions by weight all mixed in a 4oz hypo oiler. They are: 1. 15 grams lacquer 2. 20 grams lacquer 3. 30 grams lacquer Fill the rest of the container with lacquer thinner--not acetone. I used a digital scale For Weickert Felt hammers I use the 30 gram solution from F#5 to the top with a two applications on the top 6-10 notes. I didn't let the top dry completely before the second application. The tenor section up to note F#5 I use nothing and the sets have not needed anything. The tenor has come out just right on most of the sets I've used without any hardeners. YMMV. The sets or pressings all need help from F#5 to the top. Make sure the hammers are not too heavy. Heavy in the treble weakens the tone unlike in the rest of the piano. Hammer contact time is probably responsible. Lighter hammers in the treble without excess felt over the molding gives more volume and clarity--keep them light up there! In the bass I used the 15 gram solution right over the top down to the core for all the bichords and the 20 gram solution over the top for the monochords. For Bacon Felt hammers you'll need to use the 15 grams solution through the tenor section and connect to the treble where the stronger solution takes over. Use a heavier saturation or increase the strength of the solutions slightly for the treble, bichords and bass. Same idea except that these hammers are softer so you need to harden the tenor as well. Up the ante in the other sections appropriately. On all applications make sure the solution gets to the core of the hammer and, once again, keep the treble hammers light and without too much felt over the crown. Again, reducing hammer string contact time is crucial for treble clarity and loudness. The lacquer is easy to work with and needles out easily. It doesn't seem to develop hard spots like some other lacquers I've used. I do use lacquer thinner rather than acetone as it flashes off slower and probably gets better penetration keeping things away from the crown a bit more. David Love www.davidlovepianos.com
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