At 09:00 -0700 11/04/2011, Delwin D Fandrich wrote: >It could also be that wire--generally--is tougher than it is given credit >for. The formula commonly used by scaling and/or rescaling programs is one >popularized by Al Sanderson and it is significantly conservative. I'm not >sure what wire specifications he based it on but it gives a % of breaking >strength that is considerably below that of actual test with both Roslau and >Mapes IG wire. There is only one fundamental formula for calculating the _tension_ of a string; it's not a question of opinion, and in my article at <http://pianomaker.co.uk/technical/string_formulae/> I extract practical methods from this one basic immutable formula. If anyone reaches different conclusions from the same data, then they are making a mistake somewhere because the laws of nature do not change. As to the strength of different gauge numbers of wire from various makers there is no absolute law, of course. The only certain way of determining this is by repeated tests on a specially designed machine, such as those used by Pleyel and Schiedmayer in the tests carried out on competing wires in the second half of the 19th century. Failing this we have to rely on the tensile strengths claimed by the wire makers. I have emphasized that the maximum of 70% **of the figures I gave in the table I posted earlier** in this thread is the maximum that I use for bass string manufacture using Röslau wire and I know from very long experience that if this percentage is exceeded there is a very real likelihood of the string's breaking. The evidence is presented to me weekly in the form of broken odd strings and broken strings in sets that I am asked to replace. My bass strings do not break, and they also sound good. In practice it is only for a small minority of pianos that I need to reduce tension with respect to the original tensions and experience seems to have taught hundreds of piano makers the same lessons as it has taught me. At 09:11 +0100 11/04/2011, I wrote: >surely the only question worth asking is, do these pianos produce a >better or a stronger sound in the high treble? You didn't answer this question. JD
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