Floyd My understanding from band director days was that certain instruments, specifically wind instruments, were designed to be easier to play so that beginning students would be able to succeed sooner. The more professional instruments were designed to sound and respond better, but the player had to have a certain level of breath and muscle control to succeed. I am not sure that this has a direct relation to pianos. Some pianos have more or less resistance in the action and have differing tonal qualities, but I have never met a piano that is a true "student" piano in that it is designed to help a student succeed so that they can move on to a "professional" instrument. My experience, (and it sounds like maybe yours also) is not one of ease of playing of even of basic tonal preference, but of basic playability of the instrument and the existence of a musical tonal output. Student pianos are usually (subconsciously possibly) thought of as those instruments that are too trashed to be used by a "real" pianist and have not yet found a home as a donation in a church or retirement community. In the band field, student instruments are repaired and prepare to the highest playing quality for that level of instrument. No band director would put up with a student clarinet, for example, that has leaky pads and will not produce all the notes, but piano teachers will allow piano students to practice on instruments which are barely playable. I think that the biggest problem is that of cost. It is relatively inexpensive to have a clarinet overhauled compared to a piano. This takes me back to what has been said before. A student piano needs to work properly and give the student a true musical experience. A student piano is not a certain brand or level of piano (a Steinway D could make a wonderful beginning piano). My opinion FWIW. Rex Roseman -----Original Message----- From: Floyd Gadd [mailto:fg at floydgadd.com] Sent: Monday, March 29, 2010 1:24 AM To: pianotech at ptg.org Subject: Re: [pianotech] What constitutes a good "student piano" Hi Don, The whole point here is to try to gain some traction in the minds of teachers and parents. helping them to think some fresh thoughts about the instruments their students and children are trying to learn on. The concept of a "student" instrument has been used as a marketing angle by makers of band instruments. Maybe I can get some mileage out of it. I am trying to use the term in such a way as to communicate the idea that measuring an instrument against some kind of standard does not only have significance for advanced players. How often do you run into the idea that the child doesn't know the difference, so pretty much anything goes, in term of the choice of instrument. I expect most of us have been horrified at some of the "teaching" instruments we have run across. Sure, it's fine to talk about a good piano, but I'm trying to wake up parents of 7 year old students who say they'll buy a good piano if the kid is still interested when he's 11 . . . . Floyd -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/pianotech.php/attachments/20100329/ef803bf5/attachment.htm>
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