If you waited to quantify the benefits of every possible procedure you'd probably never do anything. However, I would imagine that the stiffness of a key can be calculated like any beam. It would be pretty easy to compare the new and old Ds this way since the differences are really only in height (material and length are the same). Many decisions about things while calculable are undertaken on empirical data. That goes for FW ceilings, scaling, soundboard thickness, rib dimensions, tuning styles, the list goes on and on. David Love www.davidlovepianos.com -----Original Message----- From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf Of Richard Brekne Sent: Friday, February 13, 2009 9:02 AM To: pianotech at ptg.org Subject: Re: [pianotech] S&S "D" Keys with Attachments on To One understands the general rational to be sure. Its just that the whole thing has never really been even close to quantified in any real sense of the word. Then too... I don't really see pianists making any kind of a point out of this. If the general, albeit vague, consensus of pianists assessment is laid to bear on the subject... then this seems less then a necessary procedure. I dont see it written in stone that the delay between key depression and hammer string contact that can be traced to key flexure is something pianists do not appreciate. That said... I have a few Yamaha's laying around that have a horrible delay feeling on a hard blow... and key flexure has nothing to do with it. Not to dispute the desirability of stiffer keys on some instruments out of hand... I just think it would be valuable to better quantify the relationship between key stiffness, action compliance otherwise, and how pianists react to various configurations. Cheers RicB The basis is that they flex too much and you lose power at the upper end. When Steinway went to the accelerated action they removed the lower shoe in order to make room for the bearing. On a D, in particular, with extra key length that reduction in height adds unwanted flex and it is easily demonstrated as well as felt on hard blows with a delay between key depression and hammer string contact. Restoring the original height of the key with an elongated top shoe also restores much of the lost stiffness. Keys can be too stiff, I suppose, but it is not likely to happen in this situation. David Love www.davidlovepianos.com
This PTG archive page provided courtesy of Moy Piano Service, LLC