David, et all, So, now there is a "whatever you want to call a normal" tuning and a "concert" tuning. I though every tuning should be the best that one can do. So do tell, what is the difference of a "whatever you want to call a normal" tuning and a "concert" tuning ? Unless you are saying that a "concert" tuning is a tuning to a pitch other than A440 ? Or are you saying the average customer is not worth a "concert" tuning ? Or are you saying that a "concert" tuning has to be - perfect ? Then, that starts the whole "can of worms", what constitutes a "perfect" tuning ? Which in turn, starts the argument again of aural vs ETD ? I'm all ears, Duaine David Ilvedson wrote: > When I said pitch raising I mean't the entire tuning appointment...pitch raise and tuning/2 passes. I don't have a goal of a fine tuning in that situation, I only try to make it better in the time I have. It will be much better... > I think it's hard enough to fine tune, i.e. concert tune when the piano is within a few cents... > > David Ilvedson, RPT > Pacifica, CA 94044 -- Duaine Hechler Piano, Player Piano, Pump Organ Tuning, Servicing & Rebuilding Reed Organ Society Member Florissant, MO 63034 (314) 838-5587 dahechler at att.net www.hechlerpianoandorgan.com -- Home & Business user of Linux - 10 years
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