A 20+ cent change can be made in 1.25 hours and with reasonable stability, imho...I would then suggest 6 months or at least within a year for the next service... David Ilvedson, RPT Pacifica, CA 94044 ----- Original message ---------------------------------------- From: "Scott Helms, RPT" <tuner at helmsmusic.net> To: pianotech at ptg.org Received: 8/26/2009 8:27:04 AM Subject: Re: [pianotech] Clarification Question: i'll take a pass >Thanks to everybody for your input on this. I think it might be my turn to >clarify my post a little, too. When I was talking about making a second >appointment, 2 weeks later, to do the "fine tuning" after a pitch raise, I >was not saying that I was pulling the pitch up gradually over the 2 >appointments. At the first appointment, I do as many pitch raises (passes >with overpull) as it takes to get the piano up to A440 or even a little >sharper, and consistent, by the time I walk out the door. The piano sits >for 2 weeks and does whatever little pitch dance it's gonna do, before I >come back and tune to A440 the way I would had the piano not needed a >pitch correction first. >One more clarification about this: >>> (I said:) I know it's possible to raise the pitch & fine tuning in one >visit. >>> However, just because you CAN do it doesn't mean that you SHOULD >>> do it. >>> (Paul responded:) I personally disagree with this sentiment as a >generalization. It's >>> possible to raise the pitch and adequately tune the piano in one >>> sitting if the >>> raise is not ridiculously excessive. >You're right, Terry, I was trying to make a differentiation between a >one-visit pitch correction and tuning vs. the 2-visit approach I use (like >I described above). Paul, I don't think you and I disagree at all - I know >it's possible to raise the pitch and adequately tune in one sitting, but I >was saying that just because it's possible doesn't mean it's the best >thing to do. I feel this way not because it's somehow better for the piano >to do it in two visits, but because it gets the message across to the >customer more clearly that regular tuning is important, and if they >neglect the piano it's gonna cost them, in both time (the need for 2 >appointments) and money. I guess you could call it my Pavlovian Pitch >Raise Policy :) >Scott >------ >Scott A. Helms, Registered Piano Technician >480-818-3871 >www.helmsmusic.net >> Hi Bill - Your questioning is so direct and polite, and being that >> Paul is on vacation, I'll stick my neck out and throw some answers >> your way. Please keep in mind that these answers/comments are are my >> own, and do not necessarily reflect Paul's thinking in any way (if >> they are bad, it's my fault, not Paul's!). >> >>> I know it's possible to raise the pitch & fine tuning in one visit. >>> However, just because you CAN do it doesn't mean that you SHOULD >>> do it. >>> I personally disagree with this sentiment as a generalization. It's >>> possible to raise the pitch and adequately tune the piano in one >>> sitting if the >>> raise is not ridiculously excessive. >>> >>> >> What's the ballpark -xx cents number you're talking about being >>> "ridiculously excessive"? >> >> >> I think the statement is only trying to distinguish between making >> several appointments to slowly pull the piano up to standard pitch and >> getting it up there in one sitting. I certainly agree with the >> statement. >> >> The statement goes further and addresses tuning the same day after a >> pitch raise. A five or ten cent pitch raise would certainly qualify >> for "not ridiculously excessive". A 100+-cent pitch raise would likely >> qualify for ridiculously excessive in anyone's book. Somewhere in >> between lies a grey area. >> >>> Concert work often calls for the latter. Johnny's home piano is >>> typical of the former. And if >>> Johnny is any good, plan on coming back in a month or so to do a >>> more than >>> adequate tuning. Radically flat pianos won't really stabilize for >>> several tunings. >>> >>> >> What negative cents numbers are "radical", that would need >>> "several tunings"... over what period of time? >>> >>> >> Maybe one final question... could you provide a >>> differentiation of "adequate" and "fine tune"... either in "cents" >>> or some other quantitative answer (aka stability over time, or >>> whatever) >> >> >> Your question addresses the aforementioned grey area. I really can't >> give you any definitive cents value either. You'll have to find that >> on your own from your own experience. At the one end of the spectrum, >> a concert pianist will likely not be happy with anyone's tuning a day >> or two after a 25-cent pitch raise followed immediately with a tuning. >> However, "Johnny", the beginner will likely be happy with his piano a >> month after a 60-cents pitch raise followed by a tuning the same day. >> >> Some of this has to do with the piano itself. >> >> I don't worry about putting any absolute numbers on anything in this >> arena. I simply tell the piano owner that we did a large pitch raise >> and that the piano will not be as stable (tuning won't last as long) >> as had the piano been tuned on a regular basis for the past few years. >> I tell them that they may notice the piano going out of tune sooner >> than it would have otherwise and they may wish to tune again earlier >> than otherwise. And I just let it go at that. If the piano player was >> skilled, I may state these ideas a bit more directly and say something >> like "you will LIKELY notice the tuning wandering in the coming weeks >> and you may wish to tune it again soon." But that's about as specific >> as I would get - and I think as specific as anyone would want to get. >> >> Find a neglected piano that you have some sort of regular access to, >> do a big pitch raise, and then monitor how the tuning deteriorates >> over time. It's going to be a combination of the piano, it's >> environment, the pianist, the time span, the pianist's ear, the >> pianist's wallet, how big the pitch raise was, etc., etc. Too many >> variables to nail it down much more than that. >> >> Hope this helps. Blame me if I steered you wrong..... :-0 >> >> Terry Farrell >> >> PS: And Paul - if you have anything REALLY nasty to say to me, please >> send it privately! ;-) >> >> On Aug 25, 2009, at 1:33 PM, PAULREVENKOJONES at aol.com wrote: >> >>> Bill: >>> >>> I am on vacation right now and if I have time when I return I'll >>> consider whether I have answers to your questions. Let me say now >>> that I rarely put numbers to these things and have found it >>> dangerous and unprofitable when giving advice. >>> >>> Also, there is no contradiction between what I said in GR and what I >>> said in the post. I pull the piano all the way up (overpulled) on >>> the first pass every time. It may take another stabilizing pitch >>> pass before attempting any kind of decent tuning. Wherein do you see >>> a conflict? >>> >>> Paul >>> >>> In a message dated 8/25/2009 10:59:32 A.M. Central Daylight Time, >>> pianofritz50 at aol.com >>> writes: >>> Hi Paul, >>> >>> I very much appreciated our conversations during the Convention >>> about this subject, and I think I remember you said that one should >>> pitch raise to A440, rather than take the piano up slowly over a >>> series of periodic tunings... but I'm a somewhat confused w/ your >>> posting of the following vs the PTG Convention statement. >>> >>> I'm wondering if you could please clarify a few points indicated by >>> the >>: >>> >>> I know it's possible to raise the pitch & fine tuning in one visit. >>> However, just because you CAN do it doesn't mean that you SHOULD >>> do it. >>> I personally disagree with this sentiment as a generalization. It's >>> possible to raise the pitch and adequately tune the piano in one >>> sitting if the >>> raise is not ridiculously excessive. >>> >>> >> What's the ballpark -xx cents number you're talking about being >>> "ridiculously excessive"? >>> >>> It may be possible to raise the pitch >>> and "fine tune" if the raise is within a narrow range. >>> >>> >> Ballpark -xx cents number for this "fine tune" situation? >>> >>> Concert work often calls for the latter. Johnny's home piano is >>> typical of the former. And if >>> Johnny is any good, plan on coming back in a month or so to do a >>> more than >>> adequate tuning. Radically flat pianos won't really stabilize for >>> several tunings. >>> >>> >> What negative cents numbers are "radical", that would need >>> "several tunings"... over what period of time? >>> >>> >> Maybe one final question... could you provide a >>> differentiation of "adequate" and "fine tune"... either in "cents" >>> or some other quantitative answer (aka stability over time, or >>> whatever) >>> >>> Thank you very much... Bill Fritz, StLouis Chapter >>> >>> From: PAULREVENKOJONES at aol.com >>> To: pianotech at ptg.org >>> Subject: Re: [pianotech] i'll take a pass >>> >>> I know it's possible to raise the pitch & fine tuning in one visit. >>> However, just because you CAN do it doesn't mean that you SHOULD >>> do it. >>> I personally disagree with this sentiment as a generalization. It's >>> possible to raise the pitch and adequately tune the piano in one >>> sitting if the >>> >>> raise is not ridiculously excessive. It may be possible to raise >>> the pitch >>> and "fine tune" if the raise is within a narrow range. Concert work >>> often >>> calls for the latter. Johnny's home piano is typical of the former. >>> And if >>> Johnny is any good, plan on coming back in a month or so to do a >>> more than >>> adequate tuning. Radically flat pianos won't really stabilize for >>> several >>> tunings. >>> >>> Paul >>> >> >>
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