Hi David I guess my take on these instruments from Steinway is that they are what they are and I dont worry much about them. Steinway themselves freely admit that they make these instruments purely for the customer who wants something with the Steinway and Sons name on it but dont have the finances to cover a large grand. Otherwize, Steinways design priorities and resultant default acoustic response picture is just what it is... I dont have to like it or not. Its not my piano, its the customers. If a customer is disatisfied with the sound of any particular instrument I simply tell them what I believe can be or not accomplished within reasonable costs, and advise them to consider purchasing a new instrument if the one they have doesnt do it for them. I dont really get much into telling a customer what they should or should not like acoustically anymore. Thats not my place if you get my meaning. I can offer some help and insights in helping a customer find something that they like... but it is the customer who needs to make the choice... not me. Cheers RicB ------------- Last week I had a call from a local retired music teacher, who I had as class music teacher when I started high school back in 1971. He is active in musical circles locally, but has never been my client simply due to having stayed with the father-and-son team (now son only) that he used for years. He wasn't too happy wiuth the tuning that was done a couple of months ago, and wanted me to come instead, which I did. His piano is a Steinway Model Z from 1971 and oddly, it's the first Steinway Z I have tuned since I started in 1984. I have to say I wasn't phenomenally impressed. It's nice enough and all that, but not superlative in any way. The top lid is hinged from the left hand end, a thing I've seen before - I guess it was meant to impart the impression of opening a grand lid. But in what I feel is a design flaw, the hinge pin must be removed to take off the lid for tuning, and it has to be withdrawn from the back, which means pulling the piano out from the wall. Anyway, what I'd like opinions on is this: The bass sounds soft and weak, almost (but not as bad) as if the bass bridge was detached. Time simply ran out for investigating this, as I had done some key easing and he had to go out. When I commented on the bass, he agreed and said it had always sounded like that. I would like to go back and have a proper look at the bridge etc at some point. But does anyone know if there is any particular feature or problem with the Z? I see a dealer is selling one of the same age for around $20,000 which seems to me far too much. You could buy a beautiful new Feurich form not much more. But I guess they will get their price because of the name. Best regards, David.
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