Interesting. I was looking at the first picture and noticing the front (top) speaking length termination line. It has a very abrupt angle change about four notes treble of the bass/tenor break. Got a picture of the long bridge? Seems to me even an extreme hockey-stick-shaped long bridge would not account for such a sharp angle. Does this piano have a transition bridge where the last several notes before the bass bridge are on a separate bridge? Terry Farrell ----- Original Message ----- > The local theatre got some funding to replace their elderly upright > pianos, > and got three nice new European uprights, one of which is a Bechstein to > replace a huge old Bechstein in one of the rooms. > > I tuned it today and was musing that there are quite a few 100+ year-old > Bechsteins of a similar size in my area. I was reflecting that in some > ways > the "look" was similar, with agraffes throughout, and then I realised that > the sound quality is very much the same, allowing for a century of wear. > A > kind of sweet, pleasant, not too challenging and not too powerful tone. > Interesting that they haven't changed the sound they aim for in that size > model in a century! > > I liked the arrangement for the celeste rail - no spring involved at the > top. (I don't think the pic shows it very well). > > The theatre also has a beautiful S&S B, about 115 years old, but rebuilt > by > Steinway about 25 years ago, and wonderful. > > Best wishes, > > David. >
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