Hi Jurgen. This instrument is going back on line. And its going to get as close to its origional intent as I can make it. . I am aware of the passions many feel on all sides of the fence with regard to the question you raise. No matter what I do I will get negative responses from some. But my basic philosophy is as follows. A musical instrument is first and formost just that. If it is not to be used as a musical instrument then it has lost its primary meaning... become as such meaningless. It can take on a new meaning as a museum piece... a historical record... etc. Personally I feel that the critera for deciding to turn it into a museum peice should be in the main two fold. Number one there should be a clear need for this exact record. Number two the instrument should be beyond recovery as a musical instrument. Neither of these is the case. Then there is my thinking as to the restoration itself. Just because one rebuilds such a thing does not mean one has to change it. If you re-read my posts I am sure you will see that comments like "using Imadagawas" are just silly. In fact... given my well known stance on such issues I am very suprised that you voice such concerns in my case. In short.. I believe in this and in very very many such cases a historical record can be achieved while at the same time renewing the instrument. In any case ... its my call and its not going to end up in some archive only to be in the end forgotten. Not at this point in its life at any rate. Cheers RicB
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