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HI Boy & Girls
WOW ,All this talk of unison cracking made my brain numb so I thought
I'd take a different road for fun to distract you 'all
I my quest to learn all I can about Balancing actions , choosing the right
parts & balance weights and such has led me once again happy to be reminded
that I Love the Steinway company for providing me yet another oppurtunity
of endless proportions & to make Bank having fun making the differing
macinations & incarnations of the illustrious Steinway actions work properly. It is
a challenge & honestly if wern't for them I wouldn't know any thing about
this stuff because they have given me endless oppurtunitys
..............................etc.
So I'm grateful. You disadvantaged European guys probably don't' get this
rich opportunity with the German Stwy engineering.
unt I heer dee have zee jeegs & feexteures over daer too so theey make
zee actions uniform ...shhhhhhh New york Might find out!
You gotta watch out for these factory tricksters. There always coming up
with a new action brain storm.
Seriously though it is what it is & I enjoy making a living fixing this
stuff. It give me creative license
I'm currently working over a wonderful sounding 1966 Steinway B with
the
keys -O- lead syndrome. Interesting case study.. The high ratio action
always has it's tell tale indicators.
. i.e.. 48 mm blow or longer & .375 dip, or less at the pin & keys
full of lead starting at the balance rail
Installing the new shanks & flanges side by side with the old ones
revealed the location of the teflon enraptured center pin to be roughly 146mm
above keybed. 145 to 146mm ....This fairly typical
However the new parts pin location is almost 2 mm higher. The pin sits
low in the Teflon flange. Why? dun no Hmm...
The hammers were bored short for a B at 1 3/4 " or 46 mm. which was
correct for the old parts.
The wippen pin height was also higher than the standard 3 1/4 inch by
more than 2 mm.
The beginning action ration was 6 to 1. with 16.5 knuckles. Using
17 mms knuckles with the different pin placement made the spread a
squeak wider 4 7/16ths but still brought the ratio down to around 5.7ish Still
to high. I also chose to reduce the action height by whittling away the
action cleats 2 mm to get the center pins & hammer bore into a more typical
range.
The capstans fortunately will be able to be moved forward 2 or 3 mm which
will bring the ratio down closer to 5.5 to 5.3 which would be really great.
At this ratio I can of course remove lead, reduce inertia , increase
hammer bore length, Increase hammer weight a bit & improve regulation parameters
to 1/3/4 ish blow & .390 dip, which is more typical for Many Stwy pianos.
It was suggested that another fix for this would be to get a modern stack
& strat over.& I beleive thsi idea has merit but wasn't really necessary. Any
body do this?
All this change of course allows a pianist to access the tonal potential
of a great instrument, in this case, of a really good original B belly set
up. It's a lot of fun.
By the way the Wurzen hammers on this piano were right where they needed
to be right out of the box. Power without noise & lots of color. No
needling.
It's to good to be true......naaahhhhh!
Happy Saturday
Dale
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