This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Hello Marshall, I trust we are talking about vertical pianos here. I use two rubber = mutes whenever possible on plain wires. I use felt wedges in the bass. In the treble area yes, sometimes it is too tight to use rubber mutes. = When things get tight, first I try placing the leading mute below the = hammer strike point but above the dampers (you can almost always do = that). If I can get to where there are only two dampered notes left = before interference occurs, I will just aim the trailing mute one way, = then the other so that it is not struck by the hammer. I also have a = very small, thin rubber mute that I sometimes use. On nicer pianos that = aren't going to chew up an expensive wooden mute, I use the = leather-covered wooden mutes that Pianotek sells (they really work well) = - the are used much like a Pap's mute (which I will also use at times). = I find that one of these four approaches will always get the job done. Hope this helps. Terry Farrell ----- Original Message -----=20 SNIP What does everyone here do in order to overcome the challange of using = rubber mutes in the trebble when tuning unisons? The stick ones get in = the way of the hammers. I don't want to use a wedge mute fearing that = it might get loose and fall down into the piano. =20 SNIP Marshall ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/0f/6d/90/b0/attachment.htm ---------------------- multipart/alternative attachment--
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