tuning environment

[David Love]

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Your ears will learn to focus on the particular coincident frequency =
that
you need to hear.  Try prompting yourself just before you play the =
fourth or
fifth by lightly striking the particular coincident frequency (note) =
where
your hearing will be focused.  Very slow beats can be difficult to hear.
The faster the beat the easier it is to hear so you will need to =
approach
tuning the intervals by first moving the note to be tuned out enough =
that
you pick up the more rapid beats easily.  Then move it toward pure =
following
the bouncing ball, so to speak. =20

=20

David Love
davidlovepianos@comcast.net=20

-----Original Message-----
From: pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org] On =
Behalf
Of Robert Finley
Sent: Saturday, February 04, 2006 6:55 AM
To: pianotech@ptg.org
Subject: Re: tuning environment

=20

I am learning to tune aurally, although I use an ETD (Sanderson =
Accutuner
III)  to check the accuracy of my tuning and to speed things up a bit. I
find it difficult to hear the beats (particlularly the slow beating 4ths =
and
5ths) even in the quiet environment of my own home on my well scaled =
Yamaha
grand piano, because they seem to be so weak. Will your ears eventually
become more accustomed to hearing beats? I have been doing this for =
months
and the beats still sound very feeble, although when I move my head =
around
the piano they become slightly more perceptible. I can't imagine what it
must be like to have to tune a piano in the noisy environments that you
describe.=20

=20

Robert Finley

----- Original Message -----=20

From: Geoff Sykes <mailto:thetuner@ivories52.com> =20

To: tune4u@earthlink.net ; 'Pianotech List' <mailto:pianotech@ptg.org> =20

Sent: Saturday, February 04, 2006 12:51 AM

Subject: RE: tuning environment

=20

I had the opportunity to tune four pianos at NAMM last year. Ever try to
tune in a very large convention center full of pianos all being tuned at =
the
same time? Complete chaos and cacophony would have been quieter. =
Especially
when you find yourself working on the same note at the same time as one =
or
two other techs in the same room. And you know what? It was a =
fascinating
high energy learning experience and I'd gladly do it again.=20

=20

-- Geoff Sykes

-- Assoc. Los Angeles

=20

-----Original Message-----
From: pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org] On =
Behalf
Of Alan Barnard
Sent: Friday, February 03, 2006 6:47 PM
To: Pianotech List
Subject: RE: tuning environment

Stick around awhile and you'll experience some tuning environments =
that'll
make noisy nursing homes seem like a nap on the beach.

=20

Lawn mowers, vacuums, screeching 2-year-olds, clocks!!!, loud air
conditioners and furnaces, televisions, and (at Fort Leonard Wood) the
not-so-distant sound of small arms, tank shells, and the engineers =
blowing
up stuff ... kabooM! ... the fun just keeps on coming.

=20

One that was a challenge: Junior high school tuning Hamilton on stage in
gym/auditorium with concrete floor and cinder block walls, boys =
basketball
team shows up and they each grab a ball and start bouncing, shooting,
shouting, laughing and the SHOES ... sqeak squirk eek scree. I couldn't
complain because I'd gotten held up and was an hour late when I started.

=20

And the number one most obnoxious sound? Someone else tuning another =
piano
in the background.=20

=20

Alan Barnard

Salem, Missouri

=20

=20

----- Original Message -----=20

From:  <mailto:pianotune05@comcast.net>=20

To: Pianotech List <mailto:pianotech@ptg.org>=20

Sent: 02/03/2006 6:37:02 PM=20

Subject: tuning environment

=20

=20

Hi Everyone,

I know it's not a technical question per sae, but I like hearing about =
other
technician's experiences.  What has been yoru worst tuning environment?
Today I tuned a piano at a nursing home, an Acrosonic.  The people were
great, but it always throws me off when someone comesup and asks me a
question such as, "Have you found that lost chord yet." I was making =
sure my
thirds matched up evenly.  It was great, and I scheduled them for their =
next
tuning already plus one of the employees there scheduled me to tune her
piano in two weeks.  It was a great experience, but it's hard to tune =
with
lots of background activity.  What do you guys do in that situation, =
besides
make the best of it.?:) =20

Marshall

ps. It was a great tuning all around however, plus they offered me =
lunch!
Awesome chili and corn bread. =20

-------------- Original message --------------=20
From: Susan Kline <skline@peak.org>=20

> At 03:57 PM 2/3/2006 -0800, Horace wrote:=20
> >Actually that has been done a number of times. When I was more active =
in=20
> >institutional work, I used to do it for demonstration purposes...it =
does=20
> >get folks' attention.=20
>=20
> I'm sure it does!=20
>=20
> >Also, I know specifically of one major contemporary venue in which =
this=20
> >was done to the primary concert instrument...no, the technician who =
did
it=20
> >is no longer employed there.=20
>=20
> Ready for a different sort of institution, I would guess ... well, =
there
is=20
> more than one way to tell an employer to "take this job and shove it." =

>=20
> sssssssssnn=20
>=20
>=20
> _______________________________________________=20
>! ;! ; Pianotech list info: =
https://www.moypiano.com/resources/#archives=20


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