This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment I had six bloody months of it at college; the main purpose was I think = for "industrial training".=20 Chipping also of necessity meant that you had to be able to tune and = recognize semitones. Also, the chipping process seems to train your ears to filter out = extraneous noises, by virtue=20 of the action and dampers being removed, which has been of great benefit = in the real world; I can tune in noisy situations, except where there is a vacuum cleaner = of course! "PTA do not require a chipping test...." I wonder though if they require that a muting strip is not used in = tuning the temperament? One thing that puts me off the PTA is why should I take a test when I = have qualified after 3 years=20 full-time at a college? And there is also the requirement that no ETD's = are allowed even though=20 it was a compulsory part of the course at college; in this day and age, = that's like writing a letter=20 with pen and paper instead of using e-mail. AF ----- Original Message -----=20 From: Byeway222@aol.com=20 To: pianotech@ptg.org=20 Sent: Sunday, October 09, 2005 1:46 AM Subject: Chipping =20 'Chipping-up' has always been the bedrock of tuning training on the = full-time courses here in UK. The first series of tests was the = completion of a pitch raise in decreasing time scales. I really can't = remember what the ultimate goal was, but it was probably something like = 20minutes to raise the pitch a resonable amount using just a plectrum on = a strung back. The guys who really perfected the technique were those who worked in = piano factories and went through a phenomenal number of newly strung = backs in a day. It was a very depressing sight to see a guy, often = blind, sitting in often a smallish room with scores of strung backs = stacked like library books beavering away non-stop. I would have = thought that this has been the practice in USA in the past, before = automated stringing in factories. However, there has always been a certain amount of controversy as to = its real value to 'on the road' tuners. My own experience, and that = of many tuners, is not having pefected a consistant and useful = commercial speed using this technique. You have to be doing a lot of it = for it to be time saving. I think most of us perfect our own way of = action-in pitch raising. One of the initial values of 'chipping-up' in the college training = system, however, is to quickly familiarise the new student with the = geography of the strung back and to encourage a fast and confident = initial approach to the whole business of tuning. It is acknowleged = that this is an initial 'rough tuning' and there is no point in hanging = about and getting neurotic about it being perfect. Just get on with it. = Accuracy will develop with technique and experience. It really is an = effective way of negating the over-cautious aspects in the personality = of many beginner students. I wish I had appreciated this more when I = did my own training. The previous post is right in saying that the PTA do not require a = chipping test, and their standard test appears to be OK. My own = experience of the PTA has been a mixed one, and although i have never = been a member, I did attend some pretty good 3 day conventions in the = 1980's. I would doubt though, that even now, their conventions have = such a broad based character as the US ones. Ric ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/6f/76/6b/ea/attachment.htm ---------------------- multipart/alternative attachment--
This PTG archive page provided courtesy of Moy Piano Service, LLC