This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment The reason I try to repair first is that the old string has two properties a new string doesn't have: 1 It is already stretched. 2 It will "sound-match" its fellows. Regards Michael G.(UK) _____ From: Piannaman@aol.com [mailto:Piannaman@aol.com] Sent: 04 October 2005 04:19 To: pianotech@ptg.org Subject: Re: some days you get what you ask for HI Michael, Admission I shouldn't make: this didn't even occur to me. I know how to tie the durned things, too. I did it before I took the technical until I was blue in the fingers.... Thanks for the reminder, Dave Thanks for the reminder!In a message dated 10/3/2005 10:41:28 AM Pacific Standard Time, michael@gambles.fsnet.co.uk writes: Yes, Dave, That was some day for you. I always try to repair broken bass strings whenever possible, even if it means cutting back the windings on the speaking length and making my gnott there. I find it works for maybe the knot replaces the missing mass of copper. I did that on one-of-a-pair of bass strings in an old Bluthner upright (vertical) and there was no mis-match - isn't that something? As for treble pairs - again I try repair by "pulling it round". Of course this can only be done if the break occurs at the wrest pin (sorry, tuning pin). I keep the string on the hitch by using a mini vise-clamp or even a surgical clamp (Joe G <G> gave it another name, but I've forgotten). My light frequently comes from a torch held in the teeth! Yummy! Regards from the failing light of a cloudy evening in The Village. Michael G.(UK) ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/ec/b3/ee/fe/attachment.htm ---------------------- multipart/alternative attachment--
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