Yamaha Jumping Jacks

Piannaman@aol.com Piannaman@aol.com
Fri, 4 Nov 2005 09:36:24 EST


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Something I've learned as a piano student, player, and technician, is that  
in order for an upright action to operate properly, one must play firmly to the 
 bottom of the keystroke.  Not loudly, necessarily, but firmly.  If you  
don't, bobbling can be a problem, not to mention non-repeating notes from jacks  
hanging up on hammer butts.  
 
I have to demonstrate this to many a mother and father from whom I've  
received that urgent call saying, "Timmy says that there are a few notes  sticking." 
 Which just happen to be the notes he uses in the one piece he  knows how to 
play.  
 
The day of the original post, I tuned an M500 Yamaha, which was the  original 
piano in question I believe.  I could make the hammers bobble at  will, but 
if I played them correctly, the action worked fine.
 
It's important for teachers to understand this about upright actions, but  
most of them really don't.
 
Just my 440 herz,
 
Dave S.
 
In a message dated 11/3/2005 11:20:30 A.M. Pacific Standard Time,  
ricbrek@broadpark.no writes:

Hi

At just past half blow on the upright piano the jack should  already 
sufficiently in motion that by the time the hammer evntually would  
bounce back on a slow (but realistic) keystroke the butt should be able  
to push it out of the way.  If it cant, then there isnt really all  that 
much that can be wrong. Either its not out far enough for this to  
happen, ie. a regulation issue, or something is preventing it from  
moving out easily enough... ie. some resistance in the action.

I've  run into a few Steinway K's and Z's with this problem and I've 
solved it  every time by a good regulation and appropriate spring 
strenghts.  

That said... Crescendo punchings wont really help me thinks in as much  
as one of my earlier attempts was to simply increase key dip 1 mm with  
no real change in the double strike at soft play. I think (not know)  
this is because one really isnt playing with all that great a technique  
in the first place and that the situation is bordeline relative to the  
technique of the pianist.

That said again... there are all kinds of  good reasons otherwise for 
useing Crescendos... so buy em  :)

Cheers


 

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