Howdy Ric, et al., The jack tops did appear to be unreasonably close to the butts, which I wondered about. And, yes, the double-strikes are a soft-blow phenomenon. But I could feel the hammers wobbling when I played before starting tuning, and I'm not about to leave customers with that, even if they'd never recognize (or probably even notice) the wobble. I thought the jack return springs looked pretty puny, but maybe looks are deceiving in this case. When did Alan deal with these issues in older instruments? I haven't seen any such reply to my query, so I'm wondering whether I missed something (as usual <g>). Thanks! Annie > -----Original Message----- > From: Ric Brekne [mailto:ricbrek@broadpark.no] > Sent: Wednesday, November 02, 2005 12:11 PM > To: pianotech > Subject: Yamaha jumping jacks > > > Hi there Annie > > If these are new pianos, and the action is reasonably well regulated > then my first guess is always too strong jack return springs and / or > too strong damper springs. Both tend to leave the jack top just a tad > too close to the butt. A clue that these springs are involved is that > the double strike goes away if you insure a very firm bottoming of the > key stroke. > > On older instruments, lots of things can come into play. Alan delt with > most of that nicely. Tho I would add that the jack stop rail on > occasion can also need adjustment. > > Cheers > RicB > > Annie Grieshop wrote: > > I had two tuning jobs yesterday that involved relatively new Yamaha > verticals - an M500 and an M450. Both have very jumpy jacks (or, > at least, > that's my analysis of why they're tending to double-strike, even when > well-regulated), and I'm wondering why. > > Both have plastic jacks and synthetic buckskin. The M500 had been treated > with something that looked graphite-like and was less jumpy than the M450, > which leads me to believe that the proper lubricant (or other treatment) > might solve the problem. I would very much appreciate any > suggestions as to > how to proceed. Thanks! >
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