Hello List, I have been reading the discussion about soundboard crown with great interest and feel compelled to add a possibly relevant observation. I am starting with the assumption that one intended benefit of the downbearing force is the increase in board stiffness. It's pretty obvious that the downbearing of a single string isn't significant to accomplish much change in stiffness. The increase in stiffness is the result of the composite force exerted by all the strings (however that force is distributed). There is however another design parameter that matters; that is the amount of downward pressure from a single string. This factor is important, because it determines the coupling of the individual resonator (string) to the bridge/board. This coupling parameter is a separate issue from board stiffness. So, we have the following problem: we have to adjust two parameters (board stiffness and string coupling), but we do it by adjusting one variable - downbearing force. What if the downbearing required to get the right board stiffness isn't the same downbearing that results in the best coupling from an individual string to the board? That, I believe, is a significant problem in the art of the soundboard design. One way to separate the two design parameters is to build a soundboard that either doesn't need downbearing in order to achieve the right stiffness, or perhaps a board that has an alternate means of adjusting the stiffness. Then, it would be possible to adjust the downbearing of each string just for the purpose of tweaking the coupling of the string to the board. Optimizing two parameters with one adjustment can be tough. What do you all think? Vladan __________________________________ Do you Yahoo!? Yahoo! Mail - Easier than ever with enhanced search. Learn more. http://info.mail.yahoo.com/mail_250
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