This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Phil, I know you talked a bit about this topic before. I have tried it a = couple times - and said "never again!" No doubt I am doing something = wrong. But when I have tried this I just end up with individual strings = anywhere from a half-step flat to a half-step sharp (or worse???). No = doubt the overall pitch of the piano was raised, but it's not as if I = can tune from that point - and even if I wanted to do an overall pitch = adjustment from that point, I wouldn't know whether to pull individual = strings sharp or flat to end up at pitch - because they are all over the = place. Except for putting additional tension on the plate, I don't seem = to really get anywhere doing this. And in many ways it is worse because = of the haphazard result. Maybe you've just got a much better feel for = how much to turn the pin. If you do this on a piano that, let's say, is = 50 cents flat (so we could pitch raise in one pass easily - or do you = only do this when more than one PR pass is anticipated?), how close to = target pitch could you end up with a no-listen PR pass? Terry Farrell (snip) > You could also do a no-listen pitch raise, which involves tightening=20 > every pin before tuning. Both of these procedures are designed to help = > stabilize once you get to pitch. >=20 > Good Luck, >=20 > Phil Bondi(Fl) ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/7a/37/62/ba/attachment.htm ---------------------- multipart/alternative attachment--
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