---------------------- multipart/alternative attachment Hi Ric Ric writes In fact I think you could argue that a quiet piano is just the thing for many situations. In such cases the Boston, with a closed top and back against a wall would fit the bill. Opening the top yields a rather dramatic increase in sound. So much so that I have a hard time thinking they didn't do this on purpose... I mean they must have at least noticed this affect by now and they've had all kinds of opportunity to change things...and they haven't. WOW Ric I wish my experience with Boston's was like your. The ones at The college seem like they were designed to produce the sound of shattering glass from the git go. They don't' tune that well either Y no body enjoys it Finnally... having the instrument in the open and listening from an audience perspective with the soundboard angled slightly towards the audience... the instrument sounded quite wonderful. Delightful actually. Plenty of power and a very nice balance... a pretty voice I'd have to say. By no means overpowering to be sure. But all in all... I think I kind of like them. Ok Then,Can we swap ours grin , for yours Still.... I would like just a bit more sound out front without having to open the top. A different kind of front panel might be an answer.... Thus the problem with many upright built in such a closed up fashion Anyways... I am still anxious to hear what Ron Overs has to say about the reasoning behind his last post on the subject. How does a soundboard get designed purposely to be quiet, yet maintaining a pleasing balance ? Me too. Always got my ears open. Cheers back at you Dale Cheers RicB ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/31/c6/aa/c8/attachment.htm ---------------------- multipart/alternative attachment--
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