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Hi Ric
Ric writes
In fact I think you could argue that a quiet piano is just the
thing for many situations. In such cases the Boston, with a closed top
and back against a wall would fit the bill. Opening the top yields a
rather dramatic increase in sound. So much so that I have a hard time
thinking they didn't do this on purpose... I mean they must have at
least noticed this affect by now and they've had all kinds of opportunity
to change things...and they haven't.
WOW Ric I wish my experience with Boston's was like your. The ones at The
college seem like they were designed to produce the sound of shattering
glass from the git go. They don't' tune that well either Y no body enjoys it
Finnally... having the instrument in the open and listening from an
audience perspective with the soundboard angled slightly towards the
audience... the instrument sounded quite wonderful. Delightful
actually. Plenty of power and a very nice balance... a pretty voice I'd
have to say. By no means overpowering to be sure. But all in all... I
think I kind of like them.
Ok Then,Can we swap ours grin , for yours
Still.... I would like just a bit more sound out front without having to
open the top. A different kind of front panel might be an answer....
Thus the problem with many upright built in such a closed up fashion
Anyways... I am still anxious to hear what Ron Overs has to say about
the reasoning behind his last post on the subject. How does a soundboard
get designed purposely to be quiet, yet maintaining a pleasing balance ?
Me too. Always got my ears open.
Cheers back at you
Dale
Cheers
RicB
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