onlypure tuning

Porritt, David dporritt@mail.smu.edu
Sun, 17 Apr 2005 12:36:56 -0500


I don't know any German, but in English we have words to make comparisons.  One thing is "good", another "better" then only one can be "best".  There are words that have to have a different form of comparison for example "dead".  There isn't any "deader" or "deadest" it's rather "nearly dead", "more nearly dead" and "dead".  This method of comparison also has to be used on the word "equal".  There is "nearly equal" "more nearly equal" and "equal".  The "onlypure" tuning is either equal temperament or it is not.  If you can patent "equal" maybe you can patent "dead".  You'll make a fortune!

dp


David M. Porritt
dporritt@smu.edu

-----Original Message-----
From: pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org] On Behalf Of Bernhard Stopper
Sent: Sunday, April 17, 2005 11:04 AM
To: Pianotech
Subject: Re: re:onlypure tuning

David,

I think we speak about different things here when we talk about 3 or 4 note 
combinations. You probably mean the (of course common method) to judge 
purity over the stretch range of more than a perfect twelfth.
My method is not used for tuning stretch (like the Bremmer method with 
sostenuto with three or four notes over two or three or four octaves). I use 
3-note combinations in one pure twelfth, and set up the complete temperament 
with an octave and an inner lower fifth and a inner outer fifth. Have you 
ever set up the tempereament this way? I donīt think so. And this will also 
lead to a different result than your method does.

regards,

Bernhard



>   Fine, we will see you there.
> I can prove I taught a student to use octave-fifth
> 3 and 4 note combinations to judge purity and choose
> spread 10 years ago. Like to sustain spreads with
> sostento as well to free up the hand to tune while
> listening to all sorts of combinations, of which
> octave-5ths are the most natural and common
> combinations. I got that trick from David
> Morgan, now retired, 22 years ago, who got that trick
> from Peter Dean in Ottawa, 35 years ago.
>
>  It is like patenting a colour.
>  It will not happen.
>  If it does happen it is wrong, and you can sue me.
>
>
>
>                         Cheer
>                         Dave Renaud
.org/mailman/listinfo/pianotech 

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