>/ I'll agree with this as well. So... tell me David... after having first // dismissed (tho not necessarily demeaned) perfect 12ths in your last />/ post... can you honestly say you have put even a fraction of the effort // into checking out P12ths tuning as you obviously have to what you deem />/ to be Virgils method ? /Great question, although I must say I didn't even come close to dismissing P12ths; in fact, here's what I said: "For me, perfect 12ths are not nearly as important as slowly rolling, precisely moving 4ths, 11ths, and 18ths----much easier to hear, and the perfect stretch calculator, IMO. That said, my temperament and most of the octaves I set turn out to be part of close-to-perfect 5ths and 12ths." That's nowhere near a dismissal, my Nordic transplant. I just said in my system, I've found that listening to 4ths, 11ths, and 18ths are easier and more accurate than listening to 5ths, 12ths, and 19ths, ALTHOUGH I listened to them, for most of my career, on every single note I tuned, especially above the temperament. So in answer to your question, I'm intimately familiar with the P12th protocol, having heard about it many years ago. OK? Great thread, guys. Rock on, Ric, and my best. David Andersen Let me see now here David.... I am not sure I am clear as to whether you really answered my question.... Have you really put in the time and effort to checking out and mastering the P12's tuning as you have Virgils method ? As far as the dismissal bit... lets first get straight what we are dismissing... or not, or whatever the in between case may be. The P 12ths tuning doenst really deal with 5ths or 19ths. It simply relies on holding 12ths pure. Personally.. I have a hard time finding the use of the phrase "more accurate" applicable...(for either approach) one is tempted to ask.. "more accurate in relation to what ?" to begin with, and secondly one definitely wonders about the fact that different tuners have different tastes, not to mention what they do or dont hear easiest. As far as the 4ths, 11ths, and 19ths is concerned... I find often enough the treble region gets stretched too far unless I allow these intervals to get a good deal quicker then what I would call a slow roll. 11ths at 0.3 bps for example will yeild a very close to pure 8:1 triple octave... and anyway you look at that you have quite the task fitting in the in-betweens. Course if you like wide octaves up there... :) OK ! Cheers my Cosmic Cowboy California Friend RicB
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