Ed Foote wrote: > The slight deviations that you will encounter because you can't use > sequential, chromatic steps to measure will be of little importance in > a WT if your octaves are pleasing to the ear. I think it was L. > Armstrong who said, "If it sounds good, it IS good". > Trust your ears, ET has a woeful habit of making us dependant on the > intellectual testing via intervals as opposed to the purely sensual > judgement of what the instrument sounds like! If an octave seems to > be shakey, measure it, move it around, and listen to it again. I just did that and it worked great! Not only was it my most pleasurable tuning experience (I felt so free without the ETD), the tuning came out great. I used the Kirnberger WT in C-Major. Hint for all you HT addicts: Play the first line of Chopin's G minor Ballade in a temperament such that the fourths are all pure. Mmmmm, it's yummy. When you consider what's about to happen in the next several pages, a nice calm start with pure intervals adds to the drama. Wow. Charles Neuman
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