----- Original Message ----- From: "Robin Hufford" <hufford1@airmail.net> To: "Pianotech" <pianotech@ptg.org> Sent: September 27, 2003 12:44 AM Subject: Re: Compression in soundboards > Richard, > I don't know about those showrooms perched in tiny towns on the Pacific or > those in the windy wilds of Kansas, devoid, relatively, as they appear mostly to > be, of people, or how new pianos would sell there, but here in the Dallas-Fort > Worth area, where, among the nearly six million people are a very many > high-quality pianists and musicians practically hitchhiking on every corner, new > and used pianos aplenty, dealers abounding and concerts in abundance every night, > GUESS WHAT, there are almost no complaints about the so-called tonal defects of > these new pianos, including Steinways, as is so often portrayed here on the list by > a singular, tenditious few. I find this interesting. I've now given several all-day seminars in Texas and have found the technicians attending these seminars just as aware of the problems discussed in this thread (and just as concerned about them) as those from any other region. Del
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