This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Tuning harpsichord is a quiet job comparing to piano , nice on the ears , I've find that it take a few moments to fight the natural tendency for us to stretch octaves, as stretched octaves on a harpsichord tone really harsh (while I've heard of tuning short less than pure octaves in the high treble to obtain a frictional reinforcement effect of the higher notes ) About Mr Bach, when we imagine the cost of a tuning in those days, he may have been very avarious not to call his regular tuner and doing the job himself (it was well before even the first oil breakdown is not it ?). Or may be his colleague was not allowing him enough budget for tuning ? Greetings. Isaac OLEG Entretien et réparation de pianos. PianoTech 17 rue de Choisy 94400 VITRY sur SEINE FRANCE tel : 033 01 47 18 06 98 fax : 033 01 47 18 06 90 cell: 06 60 42 58 77 -----Message d'origine----- De : pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org]De la part de Kevin E. Ramsey Envoyé : vendredi 25 juillet 2003 06:13 À : Pianotech Objet : Re: Thumper Board No, Don. Nobody's saying that. Bach was greater than most of the later composers, in his style. It's really incredible the volumn and quality of his work, which was mostly done on harpsichords, virginals, and organs. He learned to tune his own in-home instruments, and could do it in about fifteen minutes a day, from what I have read. After that, the piano came along, which was so hard to tune, compared to the harpsichord, that it spawned a whole new profession; Ours. I really love the sound of a nice, in tune, harpsichord. Like a gigantic guitar, with bass. Love the way it feels to play it, too. Kevin. ----- Original Message ----- From: Don To: Pianotech Sent: Thursday, July 24, 2003 10:02 PM Subject: Re: Thumper Board Hi, Nice to know that pre Baroque composers were all duds! Do read and do listen to some of the magnificent music of that era. PLEASE! At 11:01 PM 7/24/2003 -0400, you wrote: > >I think the point is that the majority of Great Composers did not >arrive until the piano tuning industry was well in place. Which was >why Bach was such a rarity, almost as rare as his piano. The real >flourishing of Great Composers was made possible once composers were >freed from the onerous task of tuning their own keyboards. > >Mr. Bill Regards, Don Rose, B.Mus., A.M.U.S., A.MUS., R.P.T. mailto:pianotuna@accesscomm.ca http://us.geocities.com/drpt1948/ 3004 Grant Rd. REGINA, SK S4S 5G7 306-352-3620 or 1-888-29t-uner _______________________________________________ pianotech list info: https://www.moypiano.com/resources/#archives ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/5d/c0/f6/45/attachment.htm ---------------------- multipart/alternative attachment--
This PTG archive page provided courtesy of Moy Piano Service, LLC