Calin, Only had one problem with the first one of those I encountered. The piano sounded great, but was shipped to a dealer...uh... far away. The tech for the dealer told him that the bridge was separated from the board and the delivery was denied, piano shipped back, etc. etc. Real shame. On the same piano there was a layer of darker wood, about .125, that ran through a section of the bridge near the killer octave. The layer wasn't strictly horizontal, or evenly parallel to the top of the bridge, and it created an optical illusion of a horizontal sloping split in the bridge. 1890ish S&S "A". Rosewood, 85 note. Thanks to advice and knowledge from experts on this list, we just checked it out and sold it to someone else. They loved it. You'll find that feature on older S&S uprights, also. Regards, Guy Nichols At 06:00 PM 7/12/2003 +0300, you wrote: >Hello! > >I started de-stringing my newly acquired Hamburg Steinway O from 1910 and >noticed a thing I have never seen before: the end of teh long bridge is >suspended, resting on small "feet" that seem to be positioned over the >ribs. >I have attacged two picture of it. >Now, why would this arrangemt be used and why only for the last part of the >bridge? > >Regards, > > Calin Tantareanu >---------------------------------------------------- > http://calintantareanu.tripod.com >---------------------------------------------------- > > > > > >_______________________________________________ >pianotech list info: https://www.moypiano.com/resources/#archives
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